Expository Preaching

Expository Preaching: Harry Adams

1/15/96: Lecture

Writing a Sermon:
A manuscript is a tool used in making a sermon.  It may not be that the manuscript is used in the sermon.  Twelve to twenty minutes.   Five to six pages for a twenty-minute sermon.  But he wants it to look 'oral'--larger print, bold-faced, use of spaces, capital-letters.  Different levels of emphasis for different sentences.  Which sentences carry the message?
Writing a sermon is different than an essay not only in visible form, but in content as well.  The sermon is to be given to lay-people who don't have the theological vocabulary.  So, use words like 'paradigm' or 'eschatology' sparingly, and when used, explain them what they mean.  But better than giving a definition is showing it in the world.
One should not try to seem objective in giving a sermon.  "It has been reported..." should be avoided.  My commitments--what I believe--is important and ought to be in my sermons.  This is not to say that a sermon should not go beyond my commitments.
Preaching is for the benefit and welfare of the people.  This not so of a professor in the writing of a term paper.  So, preaching is a different, distinct, genre of communication.  One is seeking profound impact on the audience.
Preaching is not exegesis of a text reported to the congregation.  Preaching focus is on the text as well as the congregation.  The preacher's task is to relate them.  This dual-focus can be seen as relating the past to the present.
The Word in Scripture and in Jesus Christ is primary.  The Word in preaching is thus a mediation through which God can speak to his people.  Preaching is an instrument of the Spirit of God.  But we can't control the Spirit, so it may not come out of the Spirit when made or delivered.
It is important to find out what is of interest to people.  People are interested in stories.  Preaching has to be incarnate--shown out of the flesh.  
Three types of sermons: a topical sermon: a topic is the source of the sermon.  Textual preaching: a text or portion thereof is the source of the sermon.  Take a verse or two.  Expository sermon: it is not a verse-by-verse analysis of a text.  One or two verses can be the source if in the context of a passage.  It is not a re-telling of a biblical event or relating different verses (using a concordance)--the different contexts must be considered.  It is not about the Bible where the focus is what the text says.  Rather, expository preaching is preaching from the Bible to the people.  Ask not only what did the verse mean; ask what does it mean.

1/17/96: Lecture

On Psalm 51: consider other psalms like it, the structure of ps. 51, the themes in ps. 51.  What is the concept of person?  What is the concept of God?  What does the psalm mean to me. Does it address my own situation.  Does it address my audience (the congregation)? 

Expository Preaching: What does it mean?
 The Biblical Sermon: Used biblically, it not telling people what is in the Bible or what it means, but is telling the people what it could mean to them.  Adams: preaching is sacramental: an instrument to bring God's grace to the people.  It is an event in the relationship between God and His people.  The preacher's task is to make the word that was spoken then word that is spoken now.  One should not have something to say and then go to Scripture because it takes Scripture without its context or as a depository of sacred truth or a law-book, both of which it is not.  A text of Scripture is dealing with a particular witness.  The content and purpose and organization of the sermon should reflect the context, content, purpose, and organization of the text.  The tone and genre of the text ought to be reflected in how the text is used.  The mood of the text ought to be reflected in the mood of the sermon.  Don't give the Beatitudes as laws.  Has the sermon explored the full potential of the text?  Let the text be heard in its full potential.  Look at its struture--why structured so.  Look at the surrounding text.  Also, look at the mood of Scripture.  Adams: it is mostly not of command (mandating what people should do), although it is so in some points and so such a sermon should be given occasionally when called for.  The dominant mood of the Bible is grace: what God is.  There is an implied imperative in this.  So, let people know what the result are to certain things, rather than telling them what to do.  Who am I to tell others what they should do?  But sometimes it is appropriate.   But exortation is not an effective way to get people to change their behavior.  Call people to be what God wants them.  Use imperative indirectly as is the case in most of the Bible.  For instance, there is an implied imparative in the Beatitudes.
The questions in an expository sermon:  What do the words mean in the text?  This is exegesis.  But don't have a sermon which is an exegesis paper.  Exegesis is an art, rather than a technique.  Use the techniques to let my own imagination and insight figure out the meaning of the text in its setting.   What would it be like to be a Corinthian listening to one of Paul's letters?  There is no 'correct answer' to what it would be like, so there is no correct answer to what the texts means.  Commentaries are most useful in keeping us from erring (misreading the text), rather than in giving the right answer.  Commentaries disagree.  Read the text in several translations. Every translation is an interpretation.  Find the limits in the use of the text.  Consider the form of the passage and the text around it.  Look at the internal consistency in the text. 
The second task is to ask what is the situation of the congregation.  Consider the time of year, what is happening in the world, Union, State, and town.  What is happening in the people's lives.  Prepare a sermon for some particular people or a particular person.  Think about the people.  What could I say to them that would tell them what it is to be of God in their lives?  How would I talk to them?  What words can I use?  What would the text that I am using mean to them?
The third question: what are ways of making the move from the text to the people?

1/19/96: Lecture

Putting a Sermon Together:

It is not a mechanical process.  Decide what I'm going to preach about.  Consider: the condition of the congregation as well as questions that have been asked by members.  Calvin preached through a book of the Bible.  Some traditions preach from a lectionary.  Some preach from the Spirit directly.  In this course, we are preaching from a text. 
From a text, read it and reflect about it. Let it speak to me; what does it mean to me and to my relationship to God.  Do exegesis.  Also, get a theme or focus. This may come before or after doing exegesis. For instance, I don't have to preach on everything in a given reading.  Perhaps write a theme statement. Don't preach on a noun.  A theme has to have a verb.  For instance, a sermon on sin is not sufficient; what are people to do with it?  For instance, 'God forgives those who turn away from sin and repent'.  This still too broad.  Narrow the focus.  The theme answers the question 'what' do I want to say--focus is on the content.  A purpose statement answers the 'why' question.  What do I want to have happen.  The focus here is on the people.  This is not of what I want to do. I am more conserned with 'understanding' as a academic, but preaching is much more than that.  Rather, consider what I want to have happen to the people.  Why do I want them to understand something?  So that they will be able make confession on what is really about what is destroying their lives?  Change not just ideas, but identity, relationships, and behavior.  The theme and purpose should be known by me, but may remain implicit in the sermon.  They may come out through story, for instance, in the sermon.
There is in this the risk of manipulation.  The purpose of preaching is not to make anyone do anything.  Rather, it is to confront people with the Gospel so they can respond to it. Sometimes people respond instead to the personality of the preacher or to the entertainment.  The preacher has the obligation of putting the Gospel in front.  So, those with a negative reaction would be rejecting the Gospel rather than me.  I am called upon to present the Gospel and show what a positive response to it could be.  This is not telling them that they should do something. 
Jot down ideas on paper. Anything that comes to mind.  No structure to it.  Don't filter it.  Don't ask why an idea came to mind.  Free association.  Things I have read or heard.  Things I have thought about.  Then, there needs to be time for rumination.  Give it time to roll around in my head, after doing the above.  Look for things I am seeing during that time that I wouldn't otherwise see. 
Then, get a structure for the sermon.  What is the journey through this material.  What do I want to start and end with?  What moves do I want to make?  How can I make the transitions.  It can be a logical, emotional, narrative, or poetic pattern.  Even if the sermon is based on a text, it need not begin with the text; it can begin on the people.  Look at the text to see if I want to end with the text.  If used at the end, the text should speak differently than it did when read earlier in the liturgy, such that it comes to speak with power.
Then, a manuscript or note could be used as a tool of preparation and/or in the sermon. 

1/22/96: Lecture

Psalm 51:
What kind of Psalm is it?  It is a person praying.  It involves both communal and personal elements.  It is one of seven penitent psalms: 6, 32, 38, 102, 130, 143.  Some call for penitence to be done, others like 51 are of someone being penitent. 
What is the setting?  The prophet Nathan had come to David after he had been with Bathsheba in adultary.  Nathan had told him a story, rather than accusing David or telling him that he was bad.  David agrees that the rich man of the story deserved to die. Then, Nathan told David that he is the man of the story.  David confesses. 
Did David write the poem?  Having a broken spirit as penitent is of a later time.  But, the first part of the psalm fits with David's situation.
If it pertains to David, can I use it? Anchor it in David's story, err on the side of specificity (not everyone has committed adultary).  Also, generalize it: who has not transgressed another person.  The message: you pay a heavy price if you transgress another. 
There are seventy-two psalms attributed to or given to David.  This does not imply that they were all written by David.
What is the structure of Psalm 51?  How can it be divided?  There are many ways.  One of which is:
1-2: Plea for mercy: What is the nature of God?  Of mercy.  Of goodness and steadfast love.  What is the nature of mercy?  Undeserved.  Where does one see such mercy?  A parent for his or her child.
3-6: Confession:  What are the nuances in the description of what David has done.  Transgression: suggests a violation of what is proper and right (it wasn't just an accident).  Sin: missing the mark.  It is a violation of not just a divine decree but of the divine cosmos itself.  A sin against another person is thus a sin against God. These are of our relation to God.
7-12: Prayer for forgiveness: To blot out; to be erased. 
13-15: Vow
16-17: Need for pentitence as a necessary offering
18-19: a later addition.
There is a clear sense of movement--that one thing leads to another. Counting on the nature of God, the nature of his relation to God is known as that of a tressgressor before undeserved mercy. 
Sermon applications: One could consider the dynamics of how one breaks with God.  What of the text resonates with me?  Is the audience shattered and in despair?  Is it in self-righteousness?  Different meanings and responses would come from these contexts of the audience.   David claims to know his transgressions; how can a modern congregant who feels he has done nothing in particular wrong, at least not murder of an innocent man?

1/24/96: Lecture

Psalm 51:

The confessional passage shows how it consumes him.  He acknowleges that God is justified in his judgment of him.  Man sins and therefore God is justified in judging us.   In placing judgment in a prophetic role as preacher, stand with the congregation in judgment, rather than over against them.  Preach words of judgment with compassion.  Consider: these people are destroying themselves because of their sin.  This is not to say that mere suggestions ought to be made; rather, take the particular stance of Scripture, even though some may take offense.  It is easier to detect what is wrong than to show the presence of God in the midst of this.  Tell the congregation how we can get out.  How we can have God's presence amidst our sin?  Verse 5: don't use past or present situation as an excuse so as to avoid responsibility for one's sins. 
Verses 6-12: v. 6: what does God want?  Truthfulness, fidelity, wisdom(fear of the Lord).  It effects one in one's very being.  Then, there is a series of negative-positive petitions: being purged of and being forgiven are not sufficient; there has to come a new creation.  It is not merely doing good, but being good.  He appeals for joy and happiness, as coming out of a right relationship with God.  Three references to spirit in this psalm.  'Holy Spirit' (see Is. 53) is used rarely in the O.T.  It is here considered as a principle within man but given by God of moral and religious activity.  See Ps 143.10, Ws 1.5; 9.17 applied to individuals.  See Is 63.11, Hg 2:5, and Ne 9.20 applied to a group of people (i.e. a nation). 

Can the O.T. be preached?  Ps 51 has many connections to the Christian message. For instance, of promise and forgiveness. Should the psalm be used as a preamble.  Does the psalmist offer promise that can be heard in his own psalm or must Jesus be brought in?  Harry Adams: A sermon in a Christian church can be done on the O.T. without reference to Jesus.  There is an integrity to it.  So, don't feel under compulsion to add Jesus to it.   Respect the O.T.'s own authenticity.

1/26/96: Lecture

In the sermon manuscript to be handed in, state the audience intended and the verses that the sermon is using.  Expository preaching deals with a certain text (passages therein). 
In delivering a sermon in class, tell the class who I am addressing.  Then, read the text of the Bible passage.  Use the pulpit.  I can wear vestments.  After the sermon, we will go down to Rm. 203 to discuss the sermon.  We won't begin with critique; rather, someone will tell what he heard.  What was the message?  What really came through?  What point really came through?  Was I distracted?  If so, tell so.  Was my mind wandering?  If so, it is the preacher's fault.  This is a burden of preaching.  Criticism is not necessarily negative.   As the listener, consider: how did the preacher use the text?  Was the text really informing or authorizing what the preacher was saying?  A function of how the text is used.  How the sermon grows out of the text? 
How was the sermon embodied in the congregation?  Was the language appropriate for it?  Use technical language with caution, and if so, explain it and relate it to the real lives of the people.  Was the sermon incarnate?  Take the incarnation seriously; God is in the world in people, embodied in life.  So too, a sermon should be embodied in life.  For instance, what does 'someone with a pure heart' look like?  Is the sermon really for these people?
Was the sermon clear?  Did it move well?  How strong were the transitions?  They need not be made explicit.  Further, the structure of the sermon need not be explicitly stated, but there should be some structure.  But, what if it is extemporaneous?  Were there too many or too few images in the sermon? 
How did the sermon open? It need not be a section, but every sermon must have a first sentence.  The first sentence is important.  It should get people's attention and lead into the sermon.  Use the theme sentence, or begin with the text, or use humor when it fits the sermon and is genuine rather than in trying to deal with nervousness.  Humor is less necessary in Preaching than in other forms of public communication.
How did the sermon end?  It needs to be written and delivered in a way that shows that it is the last sentence.  Some way distinct. A different tone or pace.   An emphatic statement. A profound one.  One that leaves the people with a question.  Don't add two paragraphs behind the ending sentence. 
Was the sermon balanced in its delivery?  Analysis and affirmation; positive and negative; appropriate use of the text.  There also needs to be a development of ideas and of emotion in the sermon.  What is the sense of movement of the preacher's emotions as well as of those of the listeners? Could the people hear?  It is not only sheer volume; sometimes talking louder increases one's pitch.  This may go well for some preachers.  Rather, it is the ability to assert one's self in getting the attention of the audience that is importance here.  On nerviousness, breathe heavily from the diaphram before the delivery helps.  Also, realize that God's Spirit is what is really at work; trust in that.  Have confidence and trust in their relation to the congregation.  Show a compassion in mannerisms and ways of speaking.  Watch nervious reactions, such as putting a hand in a pocket.  Gestures: they should be those that come naturally, but keep watch of repetitive quirks that can distract listeners.  

2/5/96: Lecture

Lk. 24:
It is a passage for an Easter sermon.  The Easter congregation is unique: more people.  A difficult congregation to preach to, because it is not only the regular believing group, but folks who are there for cultural reasons.  So, be careful with doctrine and theological words.  Don't be apologetic; rather, be affirmative--the mode of witness. 
On the passage itself: don'tr try to preach the whole chapter.  Three to five major movements in it.  Take one.  First (1-12: the women at the tomb--and possibly Peter): is it a later addition.  Then, ch.s 13-35: the Amaus story.  Then, Jesus appearing before the disciples (up to ch. 43) and he talks with them and gives them the commandment to witness (up to 49) and then Jesus leaves them and ascends to heaven. 
1 Cor. 13: about the appearances as the foundation of believing in the resurrection; no reference to the empty tomb.  On the Gospels: following Mk., they all begin with the empty tomb.  In no place in the Canonical Scripture is the resurrection itself described.  There are appearances of a risen Christ, however. The appearances came to those who did not expect it.  So, it was not from expectations.  The reports were rejected or questioned initially, so it was not a cause of rejoicing.  In some cases, they were just confused.  The stories in the Gospels begin with the visit of the women, with the stone as the first signs.  Men or Angels were then seen.  Then, Jesus was seen at various times by various witnesses. They resulted in the conviction that Jesus had risen. 
Beyond this, the stories differ.  Lk., unlike Mk., the story took place in Jerusalem.  They came out of different traditions.  Lk. represents the Jerusalem tradition.  Mk. represents the Galelian tradition.
What is the 'good news' that is to be proclaimed?  On what basis am I able to proclaim the faith?  Jesus' ministry had then been vindicated.  Or, one could base it in seeing Jesus as the beginning of the eschaton.   Or, in the fulfilling of the Scriptures then (see the prophesy of Isaiah).  Or, in the dying to flesh, rising to the spirit. 
Let the specificity of each gospel speak to us when we are preaching.  Different takes on Easter. 
Lk. 24:1-12:  'Why do you look for the living among the dead?'  Are people today trying to find meaning in things that are dead and leave them dead?  Inside the tomb, they don't see a body.  The resurrection isn't seen.  Two men of bright robes; the women are scared.  Meaning: don't explain the resurrection in terms of the normal pattern by which people live their lives.  'Why don't you remember what he told you?': a theme.  Who are the sinful men?  Probably gentiles.  That the women shared what had happened to them is not to say that they believed it.  The disciples did not believe them.  What could one preach from this?  On witness.  The difficulty of having faith.  The importance of being prepared for the second coming.  On how difficult it is to have faith such that one would love his ememies and turn the other cheek.  It takes faith that this is a strength thus vindicated in one's own faith, when one would want to do otherwise. 
Why would this seem to people today to be an idle tale?  The hypocricy in the church.  So why believe the doctrine when those who do are mean?  It stands outside our ordinary experience.  How can the sermon do to help people to take seriously the affirmation of the resurrection witness (rather than to believe it)? 
The theme statement is not 'resurrection', but is what I'm going to say about it.  The purpose regards what I want to have happen in the congregation.

2/7/96: Lecture

Lk. 24:
From the Gospel of Peter, the resurrection is described.  The stone moved itself.  Two young man went in and brought out Jesus, and led him to heaven.  The canonical Gospels do not give a description of the resurrection.
In Lk. evidence is offered of the resurrection: witnesses who saw the risen Jesus, the empty tomb, prophesy fulfillment, an angelic appearance, and the breaking of the bread.  Which was decisive?  Lk. seems to imply that there is not a decisive elements.  Lk. emphasizes the fullfilment of O.T. prophesy. 
What is the nature or character of the risen Jesus?  A fleshly character.  He is not disembodied spirit.  He ate fish. But it was a different form of flesh from the ordinary in the way he appears and disappears.  He seems to be known more by his actions and words than by his appearance.  He is an exalted figure for Luke.   So, what is Luke saying about resurrection?  He would be speaking against the Gnostics. Paul:'spiritual body'.  He is trying to communicate that it was not a resussitation--against the position of the Ebionists.  So, Luke may have been using these metaphysical strands that give rise to factions in a way to practice what Jesus taught: unity and peace.  Using metaphysical material would make sense in this endeavor, as it was differences over the metaphysics that seems to have given rise to the eventual factions--in Luke's time, perhaps just arguments.  Luke as a peace-maker. 
What response is called for?  Witness, breaking of the bread in remembrance of Jesus, faith, joy and a sense of vindication.
How is one to preach about this? 

2/26/96: Seitz Lecture

The effect of context on exegesis and preaching: 
The literary context of the text has import for the meaning of the text.  For instance, if you read Gen. 2, the issues there arise out of Gen 1 and are in Gen. 3.  Assp: a unifying thrust of the text.  Until the Enlightenment, this was assumed.  In addition, a particular chapter can be isolated and relate it to other texts so as to establish the source.  Texts as genred, whose relation to the neighboring literary context is secondary.  There is also the interbiblical context: how a given text engenders another text in Scripture.  Texts have the capacity to engender new texts, as the Hebrew scripture engendered the New Testament.  For instance, how is the fall a relevant concept in the Hebrew Scripture?  Paul assumes that it is.  Themes in one text give rise to different usages in other contexts.  Is the eschatology of the N.T. a return to the garden, or instance?  The extent of human deprivity:  that one could be sinless was possible in Hebrew scriptures but not in the N.T.  An independence of a word that can engender a new meaning.   Another example: what happens when a text  is read according to a lectionary.  Import of liturgical year.  Impact of hearing bits of texts.  Who invented the lectionary, according to what principle, and should we follow it?  What is the relationship between the two testaments?  From the bad to the good?  Dialectical?  What is the glue that  keeps them together.   Letting one line illuminate a lot is a context too.  The preacher and his listeners have their own context.
We all put these contexts in a balance.  Also consider the nuances of a particular culture.  Slang, for instance.
So, think through how a text sits and is brought into a context.

Gen 3:
How does it fit between ch.s 1 and 3?  Were they independent accounts that were subsequently related?  Stylistic differences between 1 and 2.  From a transcendent portrayal of God to a view of God in human terms.  Different writers?  Priestly and Yahwist writers.  Are the stories meant to be sequential or incompatible or neither or both?  Adjuctive? Parenthetical?  The texts are interdependent and yet independent.  Is compatibility to be sought?  Is it normative?   If it is now (e.g. thus to be sought in preaching) but was not to necessarily to the writers, how can the preacher do what his listeners want to know while being fair to the writers of the text?  One can use a developmental rationalistic explanation (an appeal to what is not given in the text to explain it), but this  is to resolve the tension artificially.  Why not let the tension remain?  Critical theory has emphasized the independence of a textual passage, but this could lead to artifical remedies of commonality from over-stressing the differences. 
Is primeval history 'before' temporally or is it meant figuratively?  Do the stories use a form of presentation to transcend temporality.  If it is taken literally, what is lost?

2/28/96: Seitz Lecture

Gen 3:

Gen. 2 and 3 is the first story in which humans are involved: the relationship between God and Man.  A serious theological claim.  There had been alternatives in antiquity on how things began and why there is suffering.  The Stoic view: we are to blame for the way of the world but we can repair it. The snake is used in Gen. 3 to refute this.  Evil was here before it was in us.  Another option: it is due to the fighting among the gods.  Images used in Gen. were generally available: the garden, for instance. 
How does the writer provide a mix from these alternatives. Trees: three types in ch. 2. Generic trees that have good looks and have eatable fruit, The tree of life in the middle of the garden, and the tree of good and evil.  God commands Adam and Eve not to eat from the tree of good and evil or you will die on the day you eat of it.  Why not the tree of life? How literal was this meant?  If literal, the snake was right. God was in fact fooling humanity.  See Barr.  Romans 5 took this wrong: death did not in fact come through one man.  Barr wants to say that the N.T. misunderstands Gen. 3.  Issue: how much elasticity is there in a text?  Modern interpretors seek single meanings but there may be several meaning--but this does not mean that Romans 5 interpretation is within the elasticity of meanings that can legitimately be taken from the text. Also, the N.T. interpretation that Eve introduced sin that is passed down is not of the literal sense of the Gen. text.  But other Hebrew texts say that everyone has sin. But does not necessarily mean that the sin was from Eve (a Fall) rather than being so from man's origins.  But Gen. 3 can be taken figuratively that when Eve first disobeyed God, she 'fell' and being caste out of the garden meaning that the effects of her sin would pass on to succeeding generations. But that such generations suffer from her sin is not necessarily to mean that those generations also have had her sin.  They could be in a deprived place due to her behavior/choice, but not make the choice which she did(i.e. not having her sin). Also, Barr claims that God did not want his creation to be the same as God.  Or, is it to mean that immortality will be lost--but there is a way of saying this which is not said here. But because God did not prohibit Adam and Eve from eating from the tree of life in ch. 2 but took them out of the garden in ch. 3 to keep them from eating it, does this not imply that Adam and Eve were created immortal and lost it in God's judgment?  We don't know if Adam and Eve were originally mortal or immortal. There are contingent and finite aspects in the garden.  The story leaves open the possibility that there is a distinction between existential death in life itself (growing old) and mortality.  At the end of the story, Adam and Eve know that the tree of life was a foresaken choice.  You can't have life and get knowledge by going against God.    In Ch. 3, the tree is said to be in the midst of the garden. It results in them knowing good and evil; no mention of the tree of life.  But at the end of ch. 3, God takes them out of the garden so they won't eat of the tree of life.  It could be that there was a redactioinal development on what kind of trees there were.  How are the gaps to be overcome? The reader and narrator know of the trees, but Adam and Eve don't.  How does the serpant know this?  How does Eve know what she knows before eating the apple.  That she might not have known does not absolve her of responsibility.  Who is the omniscient narrator?  How he know how what  he does?  Why is  there a serpent that is crafty?  Gaps in creation are not due to fights between gods. Ch. 3: communication breaks down, certain choices were not made that could have been. The point of the story: knowledge is done by asking God; trust in God's commandment.   It has a wisdom type of narrative.  

3/25/96: Malherbe Lecture

1 Cor. 12:

Paul established that church in 51 and wrote this letter in the mid-fifties.  He had written a first letter that they had misinterpreted.  So this letter here is one  of several.  This letter is particular to the issues at Corinth.  Cloe and others informed Paul about that church.  That church wrote to Paul too.  Paul was at Ephasis, not far from Corinth.  So, Paul didn't have to mention the general conditions.  Ch. 12 is a response to a letter from that church: 'Now concerning...(a specific matter).  Paul is not writing in the abstract but to practical concerns.
For homological purposes, think about the situation of the church.  Paul wrote the letter knowing that it would be read to the church--he is preaching the letter in writing it.  What did he know of that church.   For instance, 1 Cor. 1.26: some church members were of nobility.  Christianity is not only for the disenfrachized.  So, that church was socially stratified. It was a diversified urban church.  Most members were not educated or had money.  But the minority of nobility held disproportionate influence for Paul.  For instance, Erasmus--a city manager, was a member.  Gaius hosted Paul and let the church meet in his house, so he was rich.  The first church building that we know of dates at 251.  It was a house with walls knocked out.  In the fifties, it would have been a house and they would have met in a room--so not large groups.  Maybe twenty. 
So, a church meeting in a regular room of a house--with people of different strata, so relations in the church were important to Paul.  A church is constantly in motion in a society that is transient.  A necessity to constantly work on relationships.
Fourteen individuals (or groups) mentioned by Paul in his letters, nine of which were at Corinth.  Social divisions: the haves and the have-nots vis a vis the eating. Nothing in ! Cor. shows difference in theology within the church there.  He was concerned with their behavior: eating meat from idols, sexual morality.   So, the struggle between Paul and Apollus did not differ in theology.  Paul uses theological doctrine to comment on their behavior.  For instance, he notes envy ans strife among them. The reason for this, he wrote, is because the kingdom of God had not come to them; that they are still of the flesh rather than the spirit. 
Paul is creative with theological doctrines--he never translates them into practical application. So, freedom.  He was accused of being too open.  Not starting from a theological doctrine (but creating one instead) and giving his argument from it, his genuine letters did not give rise to theological disputes in the churches.  The early Church fathers later began with particular doctrines of others and gave practical applications, thus stimulating theological disputes.  The key: don't start with a pre-existing doctrine and don't give a practical application (or limits thereof) from even one's own doctrine. 
On the hetergenious nature of the Roman household--it included the slaves.  The State was seen as of the households.  The household was looked to as the social unit where responsibility layed.  Unity in the household(shown by behavour) would give rise to unity in the society.   So, heterogenity was widespread within the empire.  Law, language, money and highways were indications of the unity of the empire.  But, different kinds of pebbles are in a jar is not really that they are united.  To some extent, there was a top-down kind of unity. But there is something more than a command from the top to give rise to unity.  Namely, everyone has a particular job which is needed.  The dynamic aspect of unity was described in terms of the human body: the body is healthy when every part works. 

4/8/96: Malherbe Lecture

Lk. 16:1-17:

Setting in Lk.: a series of parables.  Three in ch. 15.
Audience intended: disciples and pharisees. 
Textual analysis: How does this parable relate to the parables in ch. 15?  The idea of losing and finding one's relation with God.  Ch. 16, in relation to riches.   When is the end of the parable at the beginning of ch. 16? vv. 1-8. 
What is the story itself? It is not the dishonesty that is commended, but the shrewdness.  The steward managed the rich man's finances. A guy in a responsible position, entrusted with the management of the finances.  Typical at that time that the management of property would be turned over.  Someone snitched on the steward--that he was squandering or wasting his goods.  The master told him that he had heard something about him.  The steward did not deny the charge, but stayed silent.  The master took this as a confession and fired him.  The steward knew there was to be a judgment; he simply accepted it.  The steward then thinks--what can I do...  He has an idea.  He wants to be received by someone else, so he brought in the debtors one by one.  He wanted the tenants to know that he was doing them a favor.  He is cheating the master so he can have a place to go.  It is possible that the steward was cutting out his own part of the payment rather than cheating the master.  The master then commended his wise operation.  Would he have done this if the steward had cheated him. Is the relation between the master and the steward like that between God and us.  The master judged and yet was merciful and accepted the way the steward was handling it.  The steward did not make excuses or beg for mercy. He did something right.  Parallel to the prodical son.  The reduced bill puts the master in a funny position: he benefits.  So, there are several ways to read it.  How bad was the steward.  Imp.: the listener's view of human nature.
What other bad characters does Jesus use in scripture?  The unjust judge.  The man who find a treasure and bought the field.  Jesus uses bad characters to make points. 

4/10/96: Malherbe Lecture

Lk. 16:1-17:

The steward's shrewdness was praised by the master.   Specifically, it was the steward's move to reduce the bills of the debtors, taking out his own cut so he could get a job later.  Long-term strategy.
The parable itself ends at 8a.  8b is a generalization.  see Mt. 10.16: be wise as serpants and innocent as doves among the wolves in sheep's clothing.  How might the children of the flesh be wiser than those of the light?  The child of this world is wise of the things of this world because they are of principal concern to them whereas they are not to the children of the light.  Children of the light are not of this world, but are yet in it.  Or, the wiseness may be a virtue here: Jesus elsewhere warns his disciples to look to the Day of the Lord rather than to concentrating on daily concerns.  Don't be naive.  Know how to get along in this world.
v. 9 is a connection; the parable itself wouldn't necessary lead to this.  For Lk., dealing with money is a matter of concern.  Unrighteous stances toward money are thus particularly abhorant to Lk.  What are the differences between the steward and the possessor referred to in v. 9? The master-servant relation and thus struggle drops out.  Also, the possessor is not designated as dishonest.  Also, the steward has no money of his own, whereas the possessor does.  The issue for the latter is how to use it.  The motif shared with the steward: one is supposed to use money to make friends.  What is a shrewd use of money by a Christian?  Using leverage.  Beating someone out of something.  Finding a sense of security and identity in it.  Finding success in money.  Materialism.  Presumably from v. 9: a Christian should use money to make friends.  Money is assumed to fail.  Is there any good use or possesion of money to Luke?  Probably not.  The rich man should give away his money.   It is in the relationships that can be created by the use of money can effect one's eternal destiny.  Eternal habitations.  Taken care of not just in worldly terms. 
vv. 10-12: three antitheses.  What does it mean to be shrewd about the use of money?  Christians had to deal with money. v. 10: money doesn't really count for much.  If you are shrewd with money, you can be shrewd with matters of eternity.  v. 11: If you don't use bad (illbegotten wealth) for good, then how can you use that of eternity for better.  v. 12: money doesn't belong to us.  If you can't handle what belongs to another, how can you handle what is your own(relationships, life in the spirit, faith)? 
Think of Jimmy Stewart and Mr. Potter in Its a Wonderful Life.
v. 13 is like Mt. 24: serve is the operative word here.  Serve money or God.  Two masters. 
Adams: risk of taking this parable as advocating the dishonest use of wealth. 
v. 14: a slur against the Pharisees.  They were committed to ways of the law.  The Pharisees had scoffed at Jesus in Ch. 15 for eating with tax collectors.  Does money have a status for folks?  The shrewd use of money should not be used to gain the approval of people.