Living Ritual

I contend that for a religious ritual to be “alive” is for it to be responsive to spiritual truths as they are played out by or among the people who have gathered even just as spectators rather than participants. In liturgy, the readings and the ritual itself can stimulate a spiritual state of mind (un état de l’esprit—this last word alone signifying the connection), which in turn can even unconsciously prompt conduct that can be observed to be religious (or spiritual) in nature. For a ritual to be alive is for it to incorporate such conduct in order to draw attention to the underlying religious truth manifesting in one or more persons. The antagonist in this drama is the strict literalist who goes inflexibly by the letter of the ritual’s laws rather than the spirit thereof, ignoring that only the spirit rises and thus is capable of lifting humans in general and in a liturgical context in particular.

The full essay is at "Living Ritual."

True Confessions

The film True Confessions (1981) centers around a priest who is the heir-apparent and assistant of the cardinal of the Archdiocese of Los Angeles, California. Even though the priest is a precise bureaucrat and liturgist, I contend that he lapses in what can be said to be the true mission of a Christian priest, and thus in the essence of Christianity. Moreover, the film is deficient in not making this point explicit.

The full essay is at "True Confessions."

Yale Divinity School

On February 21-23, 2024, Rowan Williams, a former archbishop of Canterbury, delivered a series of lectures on the topic of solidarity in moral theology. In my own research, I relate that field to ethics and historical economic thought. Williams’ theory of solidarity, which goes beyond what he calls “the vague feeling of empathy” that is emphasized in the moral writings of David Hume and Adam Smith, to reach a person’s identity and even one’s soul. Solidary pertains to interpersonal relations and is thus relevant to neighbor-love, which includes being willing to attend to the human needs even of one’s detractors and enemies, as well as just plain rude people. I contend that the upper echelon at Yale Divinity School is at two-degrees of separation from this sort of solidarity, especially as it is wholistic rather than partisan in nature. It is no accident, by the way, that the self-love that characterizes the school's culture has manifested in some courses being almost entirely oriented to advocating very narrow ideological partisan positions, politically, economically, and on social issues at the expense of sheer fairness to students, wholeness, theology, and academic standards. At the time, the school was accepting 50% of studen applicants. I leave these ideological and academic matters to the side here so I can focus on the astonishing distance between the school's dean and the sort of solidarity that he heard of in the lectures and that could lead to Christian leadership for Yale's Christian divinity school, which includes two seminaries.

The full essay is at "Yale Divinity School." 

The Devil’s Arithmetic

The Devil’s Arithmetic (1999) can be classified superficially as a coming-of-age film, for Hanna, the protagonist, starts out being immaturely contemptuous of her family’s ethnic and religious heritage and current practice. She tries to skip the Passover Seder at her grandparents’ house. That her aunt Eva had been a prisoner at a Nazi death camp makes no difference to Hanna—that is, until she is transported back as her aunt’s cousin (for whom Hanna was named) and experiences the camp herself. Whether she is really transported back in time (and if so, how?) or is merely dreaming is answered in the end but not so blatantly as would insult the viewers’ intelligence. Then again, it’s not every film that has allusions both to theology and The Wizard of Oz. The different ways in which that movie is incorporated and alluded to in this film are actually quite sophisticated in extending the viewers’ sense of synchronicity beyond the film’s narrative.

The full essay is at "The Devil's Arithmetic."