Showing posts with label Virgin Mary miracles. Show all posts
Showing posts with label Virgin Mary miracles. Show all posts

Sunday, February 16, 2025

Between God and the Devil: La Dolce Vita (the Sweet Life)

Thus says the LORD: Cursed are those who trust in mere mortals and make mere flesh their strength, whose hearts run away from the LORD. They shall be like a shrub in the desert, and shall not see when relief comes. They shall live in the parched places of the wilderness, in an uninhabited salt land. Blessed are those who trust in the LORD, whose trust is the LORD. They shall be like a tree planted by water, sending out its roots by the stream." Jeremiah 17:5-7

Levi Strauss theorized that the function of a myth lies in reconciling basic contradictions, whether they are felt within a person or at the societal level. Such contradictions, and even dichotomies, can be used to energize a story’s dramatic tension and for comic effect, such as through misunderstandings. Typically, contradictions are reconciled in the denouement of a narrative; if so, the audience gets a psychic payoff. Otherwise, the audience is left with the uneasy feeling that the world is somehow not in order. I don’t believe that Fellini reconciles the contradictions in his film, La Dolce Vita (1960). The last scene, in which the film’s protagonist, Marcello, a young and handsome single man who is a tabloid columnist, turns back to follow his high-society drinking friends, who are leaving the beach. He makes the choice to return to his life of late night parties with empty socialites rather than to walk over to the only sane, available woman in the film.  Marcello does not find or establish an equilibrium, but goes on as a lost soul. Although religion is not much discussed by the characters in the dialogue, the film’s structure can be described in terms of going back and forth between two contradictory basic principles—one represented by the Roman Catholic Church and the other by the Devil. In spite of the back-and-forth, which even includes the visually high (overlooking Vatican Square) and low (in the basement-apartment of a prostitute), the main characters remain as if in a state of suspended animation between the dichotomous and contradictory relation between God and the devil. If commentators on the film haven’t highlighted this axis, the verdict could be that film as a medium could go further in highlighting religious tensions and contradictions than it does—not that going beyond religious superficialities to engage the minds of viewers more abstractly necessarily means that the contradictions must always be resolved or sublimated in a higher Hegelian synthesis and the dichotomies transcended. 


The full essay is at "La Dolce Vita."

Tuesday, August 15, 2023

On the Infallibility of the Pope: The Assumption of Mary

What does it mean for a human being to be vested with infallibility in a religious organization even though like all humans, that one is a finite being? Ironically, it is often the ignorant who presume that they cannot be wrong (i.e., that they are infallible). That is something else entirely. The sort of infallibility granted by the Roman Catholic Church on its pope does not mean that he knows everything or can’t be wrong about anything. The infallibility is circumscribed to cover only religious doctrine. In short, Roman Catholicism gives the Pope the authority to promulgate theological truths that go beyond, yet are consistent with, the Bible. A pope cannot say that Jesus is no longer to be regarded as the Son of God, for such a claim obviously contradicts the canonical gospels. Yet more could be said that is consistent with Jesus’ divinity, and even about Mary, whose womb is regarded as blessed. The “Mother of God” is itself a title that practically invites further theological elaboration beyond the material on her that is in the Gospels. I have in mind here the Assumption of the Virgin Mary, which is celebrated by the Roman Catholic Church on August 15 annually. The feast-day is not a minor holy day for Catholics, for they are obligated to attend Mass. Indeed, a human body being admitted into a spiritual state is no small matter theologically. 

Aad de Lange, the chief financial officer of the archdiocese of Galveston-Houston in Texas, took to social media on the day in 2023 to give a synopsis of how the holy day came to be. “On November 1, 1950, Pius XII defined the dogma of the Assumption. Thus he solemnly proclaimed that the belief whereby the Blessed Virgin Mary, at the close of her earthly life, was taken up, body and soul, into the glory of heaven, definitively forms part of the deposit of faith, received from the Apostles. To avoid all that is uncertain the Pope did not state either the manner or the circumstances of time and place in which the Assumption took place--only the fact of the Assumption of Mary, body and soul, into the glory of heaven, is the matter of definition." Having degrees both in business and theology, I’m glad to see a CFO being so well-versed in theological-speak. Indeed, his paragraph is dense, so I shall endeavor to unpack it by putting the theological verbiage in contemporary terms.

In particular, I have in mind the telling of a story. I used to tell kids stories when I worked at two summer camps. As the storyteller, I could invent new characters and elaborate on existing characters as long as I did not contradict the story so far. For example, I could say that a group of kids alone in the woods came upon a bear; bears are consistent with forests. I could not then refer to the bear as a wolf unless I obviate the contradiction by saying that a witch changed the bear into a wolf. Furthermore, I could not start referring to the kids as adults without a magical explanation.

As a student at Yale, I took a course called storytelling that was taught at the divinity school. At the time, I just assumed that the course was for preaching, for who doesn’t enjoy a good story, even in church. But then I read Hans Frei’s book, Eclipse of the Biblical Narrative. Frei had been on Yale’s faculty, but unfortunately that was before I matriculated. In his book, he urges readers not to get in the way of the story in the Gospels. Take the story in without thinking about whether the characters existed historically or whether a miracle was an empirical event. Religious truth is distinct from historical facts; faith narratives and historical accounts are distinct literary genres. The writers of the Gospels would have known that they were writing faith narratives, so historical events could legitimately be appropriated or even invented to make theological points. For example, that gospels differ on when the Last Supper takes place—notice I’m not using the past tense!—relative to Passover to make different theological points. In Matthew, which was likely oriented to the Jews, it is no accident that the Last Supper takes place on the night that commemorates the sacrifice of lambs in Egypt so the death would pass over the Hebrew houses. Jesus is to be viewed as the sacrificial lamb who takes away the sins of the world by his willing sacrifice. This is the point, and interrupting the story to ask whether the Last Supper “really” happened is a diversion. Being eternal, religious truth is not affected by time, and is in this sense outside of history. Conflating the object of a faith narrative (i.e., getting at or uncovering religious truth) with that of a historical account (i.e., getting at the who, what, and where in history) not only evinces a category mistake, but also, especially since the Enlightenment, risks the subordination of religious truth to historical fact.

In his paragraph, Aad de Lange obfuscates the two genres. After pointing out that the dogma of the Assumption was added by Pope Pius to the then-extant deposit of faith, de Lange treats the new doctrine in terms of a historical event: “the Blessed Virgin Mary, at the close of her earthly life, was taken up.” It is as if being a historical event is needed to legitimate or justify the religious truth being promulgated. This “need” is merely a symptom of our age in which scientific fact dominates and is the default for certainty. To eclipse even the extended faith narrative, which has Mary go to heaven in body as well as soul, by asking whether or not it was an event that happened historically is to tacitly treat the story-telling as somehow insufficient or subordinate in its own genre. The dynamic, or narrative “arc,” in the Gospels being interrupted by interlarding exogenous questions, the reader (or ancient hearer) undoubtedly has trouble zeroing in on the unique sort of validity that religious truth enjoys. Such truth itself is best grasped from a story if it is not interrupted with distractions.

De Lange unwittingly provides us with a useful way to understand the distinction between historical events and religious truth: “the Pope did not state either the manner or the circumstances of time and place in which the Assumption took place—only the fact of the Assumption of Mary, body and soul, into the glory of heaven, is the matter of definition.” Although de Lange clearly views the Assumption as having occurred empirically (i.e., historically), he does depict religious truth in its own terms—that of definition. A historian would not find the language, “the matter of definition,” to be that which historians use, for they are interested in “the manner or the circumstances of time and place” rather than definitions of truth.

The Pope can be regarded as the chief story-teller as regards religious truth in the Roman Catholic Church. As long as he does not contradict the story so far, he is free to go on telling the story as the spirit and his mind moves him. As long as the dictates of logic (e.g., non-contradiction) are maintained, any storyteller cannot be wrong as one develops a story in progress. In the story of the kids in the woods, I am adding that a helicopter flew in at the last minute and rescued the kids. Once I add this elaboration, someone listening can’t very well say, “No! That doesn’t happen. The kids get eaten.” Notice that I use the present tense—doesn’t—because I am referring to what goes on in a story, rather than to an historical account. Were the listener to say, “No! That didn’t happen,” I would reply, “Of course it didn’t; it’s a story. Now, what does it mean?” Similarly, detecting the leitmotif of a faith narrative distinct from trying to ascertain whether a certain event (or character) existed in history.

To be sure, were the Crucifixion only in the story rather than also a historical event, then it could not be said that a sacrifice happened that restored humanity to God’s graces. Jesus actually suffering is necessary to “pay the price” that no one else would pay. If the only suffering is in the Passion Story in the Gospels, then the reconciliation of humanity with God is also only part of a story. Furthermore, the Incarnation is depicted as God piercing or entering human history—God made flesh. Indeed, the Immaculate Conception of Mary (i.e., she is conceived so as to be without sin) can also be regarded thusly.

Christians are in the unenviable position of believing in religious truth that hinges on historical persons events that historians have so far not been able to determine to have lived and occurred. Faith narratives do not count as historical sources because the writers of such stories can legitimately use, modify, and even invent historical figures and events in the service of making theological points. The risk involved in believing that the Word became flesh as a person who lived historically/empirically is that religious truth comes to depend on history even though truth itself is eternal and thus does not depend on time.[1] In other words, such faith can be in historical fact, which is an oxymoron as facts are known rather than believed and thus of religious belief. In contemporary parlance, it is said that a person is entitled to one’s own opinion but not to one’s own facts. Facts are solid, and thus deemed superior to mere subjective opinions. The danger in subordinating religious truth to historical facts is that truth is relegated as mere opinion.

Just as thinking during a movie in a theater about what to cook later breaks off, or eclipses, the suspension of disbelief that allows a person to “enter” a movie’s story-world, so too does thinking about matters outside of a faith narrative as it is being read. Let the story speak to you so you might grasp the religious truth from the continuity or flow of the narrative. Let history take care of itself. This is not to commit to any answer concerning whether someone existed or something actually happened. Even using words like really and actually for historical claims implicitly subordinates religious truth. Transcending temporal things, truth is really and actually existent. In an age in which some people insist on imposing their ideological opinions as if facts of reason, such presumptuousness shows up much better relative to a discernment of religious truth from a faith narrative.

The infallibility of a storyteller in the telling of a story is much different than the arrogance on ideological stilts that indicates self-idolatry. To be sure, such idolatry can be used to impose even religious truth. At a Roman Catholic church in my hometown, the pastor said in his homily, “Don’t worry if you don’t understand the Marian mysteries; just obey.” That is to say, just obey the pastor. Pope Benedict promoted the pastor to bishop.  Such a decision falls outside of a pope’s story-telling infallibility (as does that Pope’s decision when he was an archbishop to transfer rather than defrock a sexually-molesting priest), and perhaps even outside the purview of the Holy Spirit.  



1. I deliberately use the word, “Word,” as the second person/manifestation of the Trinity (i.e., the Father, Son, and Holy Spirit) to de-anthropomorphize God. To anthropomorphize something is to ascribe human qualities or attributes to it. Doing so in the case of the second person of the trinity risks understating the qualitative difference (i.e., difference in kind rather than degree) that exists between the Creator and creation, and thus the eternal God and temporal history. In my book, God’s Gold, is suggest that viewing God in terms too similar to us (i.e., anthropomorphizing the transcendent) may be one reason why the assumptions of theologians on wealth and profit-seeking in relation to greed have shifted from anti- to pro-wealth through the centuries. If the second person of the Trinity is viewed too much like the flesh in the Incarnation, then it’s easier to overstate the theological significance of the stuff of Earth more generally, including wealth. From such an overstatement, it was written in the Italian Renaissance that a person must be rich to exercise the Christian virtue of munificence (rather than merely liberality). Cosimo de Medici, who made his fortune from usury, a mortal sin, was absolved by Pope Eugene IV by making a large gift to the Church. Had de Medici not been rich, he could not have afforded to pay for the renovation of a monastery. So it turns out that a rich man can get through the eye of a needle, and that money helps.