Gandhi's Philosophy of Nonviolent Defiance

Film is indeed an art form, but the medium can also function as a teacher in how it conveys values and wisdom. Both of these features of film are salient in Gandhi (1982), whose director, Richard Attenborough, says in his audio commentary that the film has done much keep Gandhi’s philosophy alive in the world. In using the film’s star protagonist to explain what is behind his approach, viewers become, in effect, students. The strength of film here lies in its use of both audio and visual means to engrave the lessons in memories. In Gandhi, the main concept to be explained and illustrated is nonviolent active non-cooperation or defiance of unjust laws or regimes.

The full essay is at “Gandhi”

Religion and Business Clash at a Church’s Food Pantry

The sacred and the profane are like oil and water—oil for anointing and water for cleaning. The viability or value of the sacred does not depend on denigrating that which is exogenous to it. In other words, praising the sacred does not require trashing the world. Being in the world but not of it does not imply that the world is necessarily bad. From this perspective, the sacred and profane can both be viewed as viable in their own rights, respectively. The inevitable distance that distinguishes them so starkly is breached only with great difficulty, even if pressed out of sheer practicality. For example, a theological interpretation undergirding a religious organization’s food pantry can clash with a business calculus such as would be held by an auditor pouring over the numbers and procedures. As theology and business enjoy their own, sui generis (i.e., of its own genus or type) bases of justifications or rationales, unraveling a clash can be notoriously difficult for want of a common denominator.

The full essay is at "Religion and Business Clash."