Monday, August 26, 2024

Religion in Film: Resisting the Formulaic

Historically, meaning in the history of cinema, perhaps too much effort or attention initially went into fidelity to doctrine, especially in Christianity. Heavily stylistic, unrealistic epics could be said to merely illustrate doctrines. Then as filmmakers began to think in an open-ended way concerning how to depict the transcendent both visually and ideationally (i.e., as an idea), the dominance of the earlier control-orientation slipped away to be replaced by innovative ways of understanding how the transcendent may relate to the realm of our daily mundane existence in the world. The extraordinary potential of filmmaking to tap into the human imagination without necessarily providing definitive answerers could be seen. I submit that this historical trajectory is a positive development. This does not mean that heterodox belief has or should win out; in fact, religious practitioners, including the clergy, can help filmmakers to depict the transcendent and its relationship to our existence in novel ways that do not seem so formulaic as to be easily brushed aside as less than credible. Old wine can indeed go into new jugs, and even new wine may be tasted without the world collapsing as a result.


The full essay is at "Religion in Film."

Saturday, August 17, 2024

The Holy Grail: Artifact or Superstition?

Relics are nothing new to religion, whose legitimacy used to be synonymous with being ancient, which is one reason why the ancient Romans did not consider the nascent Jesus Movement to be a religion. The cup that Jesus uses in the Last Supper in Gospels is right up there with pieces of the wood cross of the Crucifixion as the most holy of relics in Christianity. “In Europe alone, there are said to be around 200 cups, each thought to be the Holy Grail—the cup used by Jesus Christ at the Last Supper.”[1] They can’t all be THE cup, but I bet if you visited each place, the partisans would insist that their cup is genuine. For example, the website of the cathedral at Valencia, in eastern Spain, proclaims regarding the cup there, “Tradition reveals that it is the same cup that the Lord used at the Last Supper for the Institution of the Eucharist.”[2] Never mind that medieval legend had it that Joseph of Arimathea had brought the Holy Grail near Glastonbury Tor in southern England shortly after Jesus’ death. That would be quite a distance to travel back them to deliver a cup. These two cannot both be right, yet Christians have prayed in both places as if the cup in each place were genuine. That people have gotten carried away with the super relic through history seems clear from “the fact that, over the centuries, legends have arisen of ‘grails’ producing miracles.”[3] That miracles have been said to arise from more than one of the cups ought to be a red flag that something is amiss, for only one cup could possibly be genuine and so miracles could not have come by means of proximity to the other cups. I submit that basic category mistakes regarding genres of meaning (and writing) are a big part of the problem as to why a presumed historical artifact has given rise to puerile superstition in the name of religious truth.

One scholar of religious studies, Joanne Pierce, is realistic in saying, “I honestly do not think that the actual cup from the Last Supper still exists.”[4] In fact, Pierce elaborates that because according to some Gospel accounts, the room was already prepared before Jesus and his disciples arrived, the cup used may not have even belonged to them. I submit that Pierce is conflating historical accounts and faith narratives—two very different, albeit related—genres of writing. That some of the Gospels have the room already prepared is itself an indication that we should not assume that the room actually was prepared beforehand.

Moreover, a faith narrative is not written as a historical account; the concerns of the writers would have been theological rather than to make empirical reports or accounts, especially as the Gospels were written many decades after the Crucifixion. Is it really likely that, for theological purposes, a detail such as how or whether the room was prepared would have been preserved in notes or orally? Pierce gets around this problem by stating that “the idea of the Holy Grail is more symbolic than realistic—in her words, ‘a cultural reality rather than a religious reality.’”[5] We are no longer concerned with the relationship of empirical history and faith narrative; the idea of the cup is what matters, and that isn’t even religious.

I think Pierce is wrong to jettison the religious meaning of the cup, even as an idea, because of the salvific significance at least in Roman Catholicism of the Eucharist in the gradual process of sanctification. Given the theological doctrine of transubstantiation—the real presence of Christ in bread and wine transformed into the body and blood of Christ—in Catholicism, it is interesting that, “(f)or Pierce, a Catholic, the idea of the Holy Grail is more symbolic than realistic.”[6] Zwingli, the Swiss reformer for whom the Eucharist is only symbolic, would be more likely than the Pope to agree.

Essentially, my argument is that faith narratives are neither historical accounts nor just cultural ideas; rather, the distinctive meaning in a faith narrative such as one of the Gospels is religious. It is felt proximity to religious meaning that is important—not whether a given cup was actually used by Jesus in a historical or empirical sense. To conflate the religious and empirical is to engage in superstition, as evinced by the attribution of miracles from Jesus’ historical use of a cup. Put another way, the religious significance of the Last Supper, which is Jesus being willing to follow his Father’s will in sacrificing his life for humanity, does not come down to the trite contention of which cup Jesus actually used. “It was just a cup,” Jesus might say; “You’re missing the point.” In other words, too much attention to the means can obstruct the ends being served by the means. 

Regarding the famous cup, the distinction between artifact and superstition can be transcended, perhaps even in a Hegelian sense of solving dialectics through human history, by focusing instead on distinctly religious meaning. In other words, perhaps superstition results from mistaking historical artifact for religious truth. This is not to say that the latter cannot come through history; only that if or when the transcendent does manifest on the surface of history, a faith narrative still cannot be taken for a historical account. To focus on the historical as if it were the point would be to miss the distinctly religious point, for the validity of religious meaning does not depend on the criteria of any other domain.


1 Julia Buckley, “They All Say They’ve Got the Holy Grail. So Who’s Right?” CNN.com, August 17, 2024.
2. Ibid.
3. Ibid.
4. Ibid.
5. Ibid.
6. Ibid.