A Temporary Alignment of Politics and Religion: The U.S. Senate Sanctions Russia after a Funeral

It is easy to point to instances in which elected government-officials stage political theater for effect, for in the domain of politics, perception has a political currency that can leave a real imprint almost as if the staged were actual rather than pretense. When the leader of one group takes over as Speaker of the U.S. House of Representatives from a person of another partisan group, for example, it is customary for them for the mallet literally to be handed over. In the U.S. Senate, its president, who is also the Vice President of the U.S., may sit in the presider’s chair during a vote if a tie is expected; the Senate President can vote only to break a tie. A certain depth of political meaning can go along with the actual presider presiding. Sometimes, however, an arrangement can have a depth of meaning as well as carry actual political weight. The Senate’s vote on additional economic sanctions on Russia on July 28, 2026 is a case in point, for the synchronicity itself could have caused goose-bumps on exposed skin. Even so, even profound political meaning (and fulfilment) is a far shot from religious belief and experience. Distinguishing these is important in this case, for the day of the vote included a very relevant funeral at the National Cathedral that many senators no doubt attended, and could be expected to ponder their own mortality and what may lie beyond.

The full essay is at "A Temporary Alignment of Politics and Religion."

All of Me

The transmigration of souls is usually associated with reincarnation. In the film, All of Me (1984), at the moment of death, a person’s soul can be put “into” another person who is alive such that both people “co-exist” consciously and can control the same body. The comedy is at its best when Steve Martin, who plays Roger Cobb, into whose body the dying millionaire, Edwina Cutwater, is transferred, physically enacts an alternating struggle between Edwina’s feminine movements and Roger’s masculine movements. Martin’s physical talent is amazing. The tension within Roger’s (and Edwina’s) shared body is gradually resolved as the two “souls” become friends—attesting to the underlying goodness of Edwina in stark distinction to the sordid character of Terry Hoskins, who has falsely agreed to let Edwina share her body—two souls and one body—instead of Roger’s in exchange for $20 million. It is the goodness of Roger and the unfolding of Edwina’s goodness up against the absolute badness of Terry that underlies the film’s narrative. In the end, the good win out, and Terry’s soul is put into a horse when Edwina’s soul is transferred by a Hindu guru from Roger to Terry. With Terry’s body all to herself, Edwina is free to become romantically involved with Roger. The good souls win and the squalid one is put in a horse. The upshot is that justice does indeed apply to souls.

The full essay is at "All of Me."